Faber & Faber

'Outstanding. I'll be recommending this all year.' Sarah Bakewell
'A beautiful and deeply moving book.' Sally Rooney

‘I like this London life . . . the street-sauntering and square-haunting.’ Virginia Woolf, diary, 1925

Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently.

Francesca Wade’s spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own.

'Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.' Frances Wilson
'A fascinating voyage through the lives of five remarkable women - moving and immersive.' Edmund Gordon

Ullis went to the bathroom and carefully unfolded the business card and placed it on the sink. Then he rolled up a note and snorted the last of his wife’s ashes.

Following the death of his wife, Dominic Ullis escapes to Bombay in search of oblivion and a dangerous new drug, Meow Meow. So begins a glorious weekend of misadventure as he tours the teeming, kaleidoscopic city from its sleek eyries of high-capital to the piss-stained streets, encountering a cast with their own stories to tell, but none of whom Ullis – his faculties ever distorted – is quite sure he can trust.

Heady, heartbroken and heartfelt, Low is a blazing joyride through the darklands of grief towards obliteration – and, perhaps, epiphany.

‘Jeet Thayil delights not just in pushing the bounds of possibility, but in smashing them to smithereens.’ John Burnside

From the multi-award-winning author of the literary phenomenon A Girl Is a Half-formed Thing.

At the mid-point of her life a woman enters an Avignon hotel room. She’s been here once before – but while the room hasn’t changed, she is a different person now.

Forever caught between check-in and check-out, she will go on to occupy other hotel rooms, from Prague to Oslo, Auckland to Austin, each as anonymous as the last, but bound by rules of her choosing. There, amid the detritus of her travels, the matchbooks, cigarettes, keys and room-service wine, she will negotiate with memory, with the men she sometimes meets, and with what it might mean to return home.

Petina Gappah's epic journey through nineteenth-century Africa - following the funeral caravan who bore Bwana Daudi's body - is ‘engrossing, beautiful and deeply imaginative.’ (Yaa Gyasi)

This is the story of the body of Bwana Daudi, the Doctor, the explorer David Livingstone – and the sixty-nine men and women who carried his remains for 1,500 miles so that he could be borne across the sea and buried in his own country.

The wise men of his age say Livingstone blazed into the darkness of their native land leaving a track of light behind where white men who followed him could tread in perfect safety. But in Petina Gappah’s radical novel, it is those in the shadows of history – those who saved a white man’s bones; his dark companions; his faithful retinue on an epic funeral march – whose voices are resurrected with searing intensity.

This final, fateful journey across the African interior is lead by Halima, Livingstone’s sharp-tongued cook, and three of his most devoted servants: Jacob, Chuma and Susi. Their tale of how his corpse was borne out of nineteenth-century Africa – carrying the maps that sowed the seeds of the continent’s brutal colonisation – has the power of myth. It is not only symbolic of slavery’s hypocrisy, but a portrait of a world trembling on the cusp of total change – and a celebration of human bravery, loyalty and love.