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Macbeth (an undoing) (Playscript)
The revised and updated edition of Zinnie Harris’s powerful reimagining of Shakespeare’s brutal tragedy, telling Lady Macbeth’s story as it has never been heard before.
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Summary
The revised and updated edition of Zinnie Harris’s powerful reimagining of Shakespeare’s brutal tragedy, telling Lady Macbeth’s story as it has never been heard before.
‘A clever, heartfelt and, in the broadest and most persuasive sense, feminist revisiting of Shakespeare’s great tragedy. Bold, innovative and bleakly comic, it justifies itself gloriously.’ Daily Telegraph
This story will be told, the way it has always been told. What else use is it otherwise? The hags on the heath. The woman who went mad. The man who became a tyrant.
When her husband returns victorious from the battlefield with a prophecy that he will become king of Scotland, Lady Macbeth vows to make their darkest ambitions a reality. So far, so familiar. But then the story fragments.
Shakespeare’s Lady Macbeth is ruthless and driven, unstoppable in her pursuit of power, yet she quickly descends into madness and despair. Zinnie Harris’s thrilling new version undoes the narrative we know, and remakes it, examining Lady Macbeth’s trajectory and asking if we have really heard the whole story.
This edition includes an afterword by Dan Rebellato, Professor of Contemporary Theatre at Royal Holloway, University of London.
Macbeth (an undoing) premiered at the Royal Lyceum Theatre, Edinburgh, in February 2023.
Critic Reviews
A clever, heartfelt and, in the broadest and most persuasive sense, feminist revisiting of Shakespeare’s great tragedy. Bold, innovative and bleakly comic, it justifies itself gloriously.
Critic Reviews
Wry, haunting . . . a witty, disconcerting exploration of Lady Macbeth’s role in this story and, eventually, a commentary on the representation of women in drama generally . . . The delicate balance of wit and horror in the script is nicely sustained throughout.
Critic Reviews
There are moments in Zinnie Harris's new play where the sense of a back-and-forth between the past and the present is so delicious that it's mouth-watering . . . The chief delight is in the clever script . . . It's exhilarating to watch a dramatist who's so confident with her material.
Critic Reviews
Audacious . . . sometimes witty, always intelligent.
Critic Reviews
Writer and director Zinnie Harris has made one of her stocks-in-trade the reimagining of well-known plays to accentuate the female narratives at their heart. They all feel as though they’ve been building to this . . . The stark clarity of Harris’ text . . . masterfully traditional and refreshingly new.
Critic Reviews
Harris’s stunning vision evolves into a response to Shakespeare with the power to challenge this greatest of classics on almost equal terms.
ZinnieHarris
Zinnie Harris’s plays include the multi-award-winning Further than the Furthest Thing (National Theatre/Tron Theatre; winner of the 1999 Peggy Ramsay Award, 2001 John Whiting Award, Edinburgh Fringe First Award), How to Hold Your Breath (Royal Court Theatre; joint winner of the Berwin Lee Award), The Wheel (National Theatre of Scotland; joint winner of the 2011 Amnesty International Freedom of Expression…
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