The Left and the Lucky
The moving, large-hearted story of a young boy in danger of slipping through society’s cracks and the unlikely father figure who takes him under his wing.
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Summary
‘And try to breathe, man. You gotta remember to breathe. You won’t get so panicky if you can remember that.’
Eddie Wilkens runs his own house-painting business. Forty-something and living alone, he just wants to take life one day at a time. When his eight-year-old neighbour, Russell, starts hanging around, Eddie sees that this small kid – with his single mother working nights and his violent older brother – is struggling to keep his head above water, and so tries to help.
Equal parts heart wrenching and uplifting, The Left and the Lucky is a portrait of this unusual friendship – the ways hurt shatters people and the compassionate acts that can, maybe, hold some of those pieces together.
Critic Reviews
Vlautin’s taut prose and subject matter are in a direct lineage which includes one of his avowed influences, Raymond Carver, and stretches back at least as far as Steinbeck. However, a voice like his was never more needed than at the present time
Critic Reviews
Alternately heartwarming and heartbreaking, it’s brilliant on loneliness and how much it means finally to build a solid connection. Wonderful
Critic Reviews
One of America's great writers
Critic Reviews
A heartbreaking novel of modern America’s underclass . . . Vlautin’s novels give dignity and a voice to the disenfranchised. Right now his country needs him more than ever
Critic Reviews
Vlautin’s eighth novel serves up another unsentimental slice of Americana, harnessing an understated, emotional power that is a warm breeze in these cold times
Critic Reviews
Arguably his finest book to date . . .Eddie and Russell have true grit - and their ballad is pitch-perfect
WillyVlautin
Willy Vlautin has published seven previous novels, most recently The Horse, which was just named as a finalist for the 2025 Joyce Carol Oates Award. The Motel Life and Lean on Pete were both turned into acclaimed feature films, in 2012 and 2017, the latter of which was directed by Andrew Haigh. Netflix’s adaptation of The Night Always Comes is…
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