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Everybody Knows
L.A. Confidential for the 21st Century: a gripping, must-read thriller about Hollywood’s corrupt factory of dreams and the woman determined to burn it down.
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Summary
**WINNER OF THE CWA IAN FLEMING STEEL DAGGER**
A Times, Guardian and Crimereads Book of the Year
‘Cinematic and insightful. Everybody Knows is a tour de force.’ GUARDIAN
‘A heart-racing journey of danger and redemption.’ DAILY MAIL
‘I doubt there will be a better American crime novel this year.’ DAILY TELEGRAPH
‘Dark and thrilling.’ GRAZIA
In Hollywood, nobody talks. But everybody whispers.
Welcome to Mae Pruett’s LA. A ‘black-bag’ publicist at one of Hollywood’s most powerful crisis PR firms, Mae’s job isn’t to get good news out, it’s to keep the bad news in and contain the scandals. But just as she starts to question her job and life choices, her boss is gunned down in front of the Beverly Hills Hotel, and everything changes.
Investigating with the help of an ex-boyfriend, Mae dives headlong into a neon joyride through the jungle of contemporary Hollywood. Pitted against the twisted system she’s worked so hard to perpetuate, she’s desperately fighting for redemption, and her life.
Readers are gripped by Everybody Knows:
***** ‘The year’s best detective novel. . . a fresh take with a compelling heroine worth rooting for.’
***** ‘Powerful and brutal. I couldn’t put it down.’
***** ‘A wonderful yet wretched exploration of human nature, you will struggle to put this book down or ever forget it’
***** ‘Addictive. . .an atmospheric neo-noir with crackling dialogue and finely drawn characters.’
***** ‘A superb story with a genuine sense of moral outrage.’
Critic Reviews
If “everything is a sequel or a reboot or an adaptation”, “an echo of something else”, Everybody Knows, in its apocalyptic brilliance, most resembles Nathanael West’s The Day of the Locust (1939).
Critic Reviews
Harper’s dialogue is snappy but he writes with a lyricism that’s completely unexpected in prose as knowing as that of Raymond Chandler.
Critic Reviews
Cinematic and insightful, with one-liners worthy of Raymond Chandler on a good day and a sprawling plot that unfolds in a James Ellroyesque underworld of sexual predators, crooked police officers and unscrupulous wheeler-dealers, Everybody Knows is a tour de force.
Critic Reviews
A blisteringly bleak and brilliant Hollywood thriller.
Critic Reviews
A heart-racing journey of danger and redemption that had me ripping breathlessly through the pages.
Critic Reviews
Raymond Chandler is probably a more apt comparison that Ellory, partly because Harper writers with a similar earthy-yet-elegant wit. . . I doubt there will be a better American crime novel this year.
JordanHarper
Jordan Harper has spent over a decade in Hollywood, as a writer for shows such as FOX’s Gotham and CBS’s The Mentalist. He is the Edgar-Award winning author of She Rides Shotgun (published in the UK as A Lesson in Violence), Love and Other Wounds and, Everybody Knows, which won the CWA Ian Fleming Steel Dagger.
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