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Some Answers Without Questions
From the prizewinning poet and writer, an elegant, important and spirited work of self-investigation; the result of decades of answering questions that don’t really matter—and not being asked the ones that do.
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Summary
‘A delight: approachable, rigorous and omnivorous in its frame of reference. . . a timely, lyrical investigation into what it means to create’ Observer
‘A pointed, svelte but diverse work’ Irish Times
My voice arose out of the desire to connect and was shaped in reaction and resistance. It became my own when I started to use words in a way for which I had no example. All the voices I used to imitate, knowingly or not, fell silent and the only one I could hear was mine.
Part memoir, part manifesto, Some Answers Without Questions is the result of decades of answering questions that don’t really matter – and not being asked the ones that do. In this rigorous, lyrical and vital work of self-investigation, Lavinia Greenlaw sets out to consider the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. She asks what enables anyone – but a woman and an artist in particular – to create and respond even when they haven’t been invited to.
LaviniaGreenlaw
Lavinia Greenlaw was born in London. She studied seventeenth-century art at the Courtauld Institute, and was the first artist in residence at the Science Museum. Her awards include a NESTA fellowship, the Ted Hughes Award for her immersive soundwork, Audio Obscura, and a Wellcome Engagement Fellowship. She has published six collections of poetry with Faber, including Minsk (2003), which was shortlisted for the T. S. Eliot, Forward and…
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