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Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. This anniversary edition marks 850 years since Becket’s dramatic murder, and eighty-five years since Eliot’s play was first performed.
Thomas Stearns Eliot, poet, critic, publisher, was born in St Louis, Missouri, in 1888. He settled in England in 1915, where for a few years he worked in the foreign section of Lloyds Bank. His first book of poems, Prufrock and Other Observations, was published in 1917. In 1922, he became editor of the literary journal, The Criterion, publishing The Waste Land in its first…
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Listen to Edoardo Ballerini read the opening lines of The Waste Land, taken from the audio book of the Centenary Edition.
To mark the centenary in 2022, Faber is delighted to announce new publishing and an exciting work of non-fiction by …
The Waste Land, first published in the inaugural issue of The Criterion in October 1922, celebrates its centenary in 2022.
Sullivan is awarded the Prize for her debut collection, Three Poems.