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The Golden Mole: and Other Living Treasure
A gloriously illustrated and fascinating bestiary of the world’s most extraordinary endangered animals – a treasure trove of vanishing wonders.
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‘A rare and magical book. I didn’t want it to end.’ Bill Bryson
‘A total miracle.’ Max Porter
‘A witty, intoxicating paean to Earth’s wondrous creatures.’ Observer
‘Rundell’s pen is gold-tipped.’ Sunday Times
** SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR **
The world is more astonishing, more miraculous and more wonderful than our wildest imaginings.
In this passionately persuasive and sharply funny book, Katherine Rundell tells us how and why.
A lavishly illustrated collection of the lives of some of the Earth’s most astounding animals, The Golden Mole is a chance to be awestruck and lovestruck – to reckon with the beauty of the world, its fragility, and its strangeness.
A swift flies two million kilometres in its lifetime. That’s far enough to get to the moon and back twice over – and then once more to the moon. A pangolin keeps its tongue furled in a pouch by its hip, a Greenland shark can live five hundred years, a wombat once inspired a love poem.
Rundell is the real deal, a writer of boundless gifts and extraordinary imaginative power.
A rare and magical book. I didn't want it to end.
'A wondrous ode to nature’s astonishing beauty – and an elegy for all the life we are in the midst of destroying. This is a book filled with love and hope and whiskers and wings, by turns ravishing and devastating. No one sings the praises of the world quite like Katherine Rundell.'
Rundell is a class act.
Rundell is an astonishing young talent
Rundell is the real deal, a writer of boundless gifts and extraordinary imaginative power.
Katherine Rundell is a Fellow of All Souls College, Oxford. Her bestselling books for children have been translated into more than thirty languages and have won multiple awards. Rundell is also the author of a book for adults, Why You Should Read Children’s Books, Even Though You Are So Old and Wise, and writes occasionally for the London Review of…
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