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This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film: race, class, sexuality – issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam’s relation to the West has become one of the burning issues of the time.
Kureishi shows how flexible a form the essay can be – as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi’s ability to capture the temper of the times.
Hanif Kureishi was born and brought up in Kent. He read philosophy at King’s College, London. In 1981 he won the George Devine Award for his plays Outskirts and Borderline, and in 1982 he was appointed Writer-in-Residence at the Royal Court Theatre. In 1984 he wrote My Beautiful Laundrette, which received an Oscar nomination for Best Screenplay. His second screenplay Sammy and Rosie Get Laid (1987) was…
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Watch the live stream of the our Faber Members event with Hanif Kureishi at the Bindery in London.
Celebrating our 90th anniversary, Faber staff take on the tricky task of selecting their three favourite Faber books.