Hurdy Gurdy

Christopher Wilson

A bitingly funny historical novel, following Brother Diggory on an eerily prescient journey through fourteenth-century England.

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Date Published
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‘What the doctor ordered . . . a fiercely funny novel.’ Sunday Times

It is the year of our Lord 1349 and it is the season of the Plague.

Brothor Diggory’s life is about to change. The sickness is creeping ever closer and the monks of his order must attend to the afflicted. He is about to meet the Plague. What he doesn’t realise is that encountering an illness and understanding it are two quite different things . . .

An uproarious and uplifting novel about sickness and health, and how perhaps we’re never quite as cutting-edge as we might like to believe.

‘Ribald yet deeply touching.’ Observer
‘Therapeutically hilarious.’ Telegraph
‘Often ingenious and frequently hilarious.’ Guardian

Critic Reviews

There is a cure for pandemic gloom. What you need to do is read a funny novel about an even more deadly plague, the Black Death of the 14th century. Hurdy Gurdy is that novel . . . this novel is as short and funny as Dudley Moore. A read made for plague-fogged brains.

The Times
Critic Reviews

Of the Covid-inflected novels expected this year, few will be as weirdly entertaining as this cautionary tale.

Mail on Sunday
Critic Reviews

The Black Death seems an improbable subject for a comic novel, but Wilson takes up the challenge, and the result is fiercely funny.

Sunday Times
Critic Reviews

Hurdy Gurdy bubbles with a convivial, earthy humour and Brother Diggory is an amusing antihero. The prose is highly evocative, full of flesh and blood . . . This is an entertaining and atmospheric picaresque – though in the midst of our own pandemic, Wilson’s satire of misguided churchmen and unscientific plague doctors feels somewhat quaint: our own leaders appear far more monstrous. Still, it is often ingenious and frequently hilarious. Brother Diggory kills many, yet survives to tell the tale. I for one am glad.

The Guardian
Critic Reviews

Ribald yet deeply touching.

Critic Reviews

Christopher Wilson’s 10th novel, set against the backdrop of a medieval pestilence, is salutary: not only does it serve as a reminder that we’ve prevailed over this sort of thing before, it’s also genuinely and therapeutically funny.


Christopher Wilson is the author of several novels including Gallimauf’s Gospel, Baa, Blueglass, Mischief, Fou, The Wurd, The Ballad of Lee Cotton and Nookie. His work has been translated into several languages, adapted for the stage and twice shortlisted for the Whitbread Fiction Prize. Wilson completed a published PhD on the psychology of humour at LSE, worked widely as a…

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