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The Buddha of Suburbia
With the publication of The Buddha of Suburbia, Hanif Kureishi landed into the literary landscape as a distinct new voice and a fearless taboo-breaking writer.
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Summary
A BELOVED CLASSIC – WITH AN INTRODUCTION BY ZADIE SMITH
‘A naughty, bubbly book.’
ZADIE SMITH
‘Wickedly funny.’
NEW YORK TIMES
‘Utterly irreverent and wildly improper, but also genuinely touching and truthful.’
SALMAN RUSHDIE
‘My name is Karim Amir, and I am an Englishman born and bred, almost.’
As the teenage hero of Hanif Kureishi’s debut novel, Karim is desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, he starts to win the sort of attention he has been craving, albeit with some rude and raucous results.
Critic Reviews
Brilliantly funny. A fresh, anarchic and deliciously unrestrained novel.
Critic Reviews
There was one copy going round our school like contraband. I read it in one sitting ... I'd never read a book about anyone remotely like me before.
Critic Reviews
Blithe, savvy, alive and kicking.
Critic Reviews
One of the best comic novels of growing up, and one of the sharpest satires on race relations in this country.
Critic Reviews
A wonderful novel. I doubt I will read a funnier one, or one with more heart, this year, possibly this decade.
Critic Reviews
An important time capsule for teenage life in 1970s London, confronting racial politics at a time
when immigrants were treated as intruders on British soil … a fresh and timely read.
This special edition of Hanif Kureshi’s critically-acclaimed first novel has been specially designed for Faber Members.
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HanifKureishi
Hanif Kureishi was born and brought up in Kent. He read philosophy at King’s College, London. In 1981 he won the George Devine Award for his plays Outskirts and Borderline, and in 1982 he was appointed Writer-in-Residence at the Royal Court Theatre. In 1984 he wrote My Beautiful Laundrette, which received an Oscar nomination for Best Screenplay. His second screenplay Sammy and Rosie Get Laid (1987) was…
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