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Murder in the Cathedral, written for the Canterbury Festival on 1935, was the first high point on T. S. Eliot’s dramatic achievement. It remains one of the great plays of the century. Like Greek drama, its theme and form are rooted in religion and ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage.
Thomas Stearns Eliot, poet, critic, publisher, was born in St Louis, Missouri, in 1888. He settled in England in 1915, where for a few years he worked in the foreign section of Lloyds Bank. His first book of poems, Prufrock and Other Observations, was published in 1917. In 1922, he became editor of the literary journal, The Criterion, publishing The Waste Land in its first…
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Thinking about the recent centenary of the The Waste Land, a provocative question comes to mind: was Faber in the …
We delve into the Faber Archive to collate the many editions of The Waste Land and photograph portraits of T. …
In celebration of the centenary of The Waste Land, author and Faber Poetry Editor Matthew Hollis writes about the enduring …
Watch actor Fiona Shaw reading the opening of T.S. Eliot's The Waste Land, in an exclusive video from The Waste …
Read an excerpt from the introduction to Mary and Mr Eliot: A Sort of Love Story, which reveals an intimate …
Listen to Edoardo Ballerini read the opening lines of The Waste Land, taken from the Centenary Edition audiobook.
To mark the centenary in 2022, Faber is delighted to announce new publishing and an exciting work of non-fiction by …
The Waste Land, first published in the inaugural issue of The Criterion in October 1922, celebrates its centenary in 2022.