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Shortlisted for the Bollinger Everyman Wodehouse Prize
Mamoon is an eminent Indian-born writer who has made a career in England – but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste.
Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon’s career and his bank balance. Harry greatly admires Mamoon’s work and wants to uncover the truth of the artist’s life. Harry’s publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether.
Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word?
The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth.
Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world
Brilliantly funny and entertaining.
His best work to date ... very funny ... Kureishi has written a major work, founded on a major literary problem, set by a master of his craft.
'A great read ... with vivid characters, a serpentine plot and some fizzing dialogue ... Kureishi doesn't miss a trick. The Last Word is hugely entertaining and one of his best novels for some time.'
This is Kureishi at his mischievous, subversive best.
Kureishi's best novel since The Buddha of Suburbia, perhaps because it returns to the original themes of family, race and identity ... the assertion at its heart, that a writer can be an artist, telling the truth, makes this book important as well as enjoyable.
The provocative, powerful new novel from Hanif Kureishi ... The Last Word grippingly explores the point at which a real human being becomes a character.
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