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This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film : race, class, sexuality – issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam’s relation to the West has become one of the burning issues of the time.
Kureishi shows how flexible a form the essay can be – as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi’s ability to capture the temper of the times.
Hanif Kureishi grew up in Kent and studied philosophy at King’s College London. His novels include The Buddha of Suburbia, which won the Whitbread Prize for Best First Novel, The Black Album, Intimacy and The Last Word. His screenplays include My Beautiful Laundrette, which received an Oscar nomination for Best Screenplay, Sammy and Rosie Get Laid and Le Week-End. He…
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Celebrating our 90th anniversary, Faber staff take on the tricky task of selecting their three favourite Faber books.