Golden Hill

Miraculously constructed . . . at once so fabulously entertaining, so exquisitely wrought and so moving that it stands among not just the best first novels of the year, but the best novels of this or any year.

Golden Hill is a novel of gloriously capacious humanity, thick-woven with life in all its oddness and familiarity, a novel of such joy it leaves you beaming, and such seriousness that it asks to be read again and again ... this novel is verifiable gold.

The intoxicating effect of Golden Hill is much more than an experiment in form. [Spufford] has created a complete world, employing his archivist skills to the great advantage of his novel ... This is a book born of patience, of knowledge accrued and distilled over decades, a style honed by practice. There are single scenes here more illuminating, more lovingly wrought, than entire books.'

A cunningly crafted narrative that, right up to its tour de force conclusion, is alive with tantalising twists and turns ... This is a dazzlingly written novel. Little brilliances of metaphor and phrasing gleam everywhere.

Like a newly discovered novel by Henry Fielding with extra material by Martin Scorsese. Why it works so well is largely down to Spufford's superb re-creation of New York ... His writing crackles with energy and glee, and when Smith's secret is finally revealed it is hugely satisfying on every level. For its payoff alone Golden Hill deserves a big shiny star.

Splendidly entertaining and ingenious ... Throughout Golden Hill, Spufford creates vivid, painterly scenes of street and salon life, yet one never feels as though a historical detail has been inserted just because he knew about it. Here is deep research worn refreshingly lightly ... a first-class period entertainment.