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Terra rima, the form which Douglas Dunn calls ‘Dante’s Drum-kit’, supplies him with the structure for his own meditation on the afterlife, ‘Disenchantments’. Other poems in this book are evidence of the author’s dazzling technical adroitness. High seriousness and high jinks are equally at his command, and readers will welcome a collection which shows the poet of Elegies and Northlight performing with undiminished energy and stylishness.
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