Killing Time

2025

‘We have a choir and on special occasions a glass of dry sherry. It’s less of a home and more of a club and very much a community.’

Presided over by the lofty Mrs McBryde, Hill Topp House is a superior council home for the elderly. Among the unforgettable cast of staff and residents there’s Mr Peckover the deluded archaeologist, Phyllis the knitter, Mr Cresswell the ex-cruise ship hairdresser, the enterprising Mrs Foss and Mr Jimson the chiropodist.

Covid is the cause of fatalities and the source of darkly comic confusion, but it’s also the key to liberation. As staff are hospitalised, protocol breaks down. Miss Rathbone reveals a lifelong secret, and the surviving residents seize their moment, arthritis allowing, to scamper freely in the warmth of the summer sun.

The Clothes They Stood Up In: A Story

First published in 1996

The Clothes They Stood Up In is Alan Bennett’s first story.

Like Charles Dickens’s novels which were first published in magazines, it originally appeared in the London Review of Books — which the author says ‘seems to me (and not just because I occasionally contribute to it) the liveliest, most serious and also the most radical literary periodical we have’.

The Uncommon Reader

2006

The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely (JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers.

She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.

The History Boys

2004

As an unruly bunch of bright, funny sixth-form boys pursue sex, sport and a place at university, adolescent anarchy and staffroom rivalry provoke insistent questions about history and education.

The History Boys premiered at the National Theatre, London, winning Evening Standard, Critics’ Circle, Olivier and South Bank Awards. On Broadway, it received numerous awards, including six Tonys.

The Madness of George III

1991

George III’s behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.

Alan Bennett’s play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler’s delirium erodes his authority and status.

The Madness of George III premiered at the National Theatre, London, in November 1991.

The Habit of Art

2009

‘Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn’t otherwise have had, and in this respect versification and fornication are not so different.’

Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W. H. Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.

Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Allelujah!

The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old people’s choir, in readiness for next week’s concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale.

Alan Bennett’s Allelujah! opened at the Bridge Theatre, London, in July 2018.

Writing Home

1994

Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England’s leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud, as well as many other important productions.

His television series ‘Talking Heads’ has become a modern-day classic; as part of the 1960s revue ‘Beyond the Fringe’ Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists.

Untold Stories

Untold Stories, the wonderful sequel to Alan Bennett’s classic Writing Home, contains significant previously unpublished work, including a poignant memoir of his family and of growing up in Leeds, together with his much celebrated diary for the years 1996–2004, and numerous other exceptional essays, reviews and comic pieces. Bennett, as always, is both amusing and poignant, whether he’s discussing his modest childhood or his work with figures such as Maggie Smith, Thora Hird and John Gielgud.

House Arrest: Pandemic Diaries

A year in and out of lockdown as experienced by Alan Bennett.

The diary takes us from the filming of Talking Heads to thoughts on Boris Johnson, from his father’s short-lived craze for family fishing trips, to stair lifts, junk shops of old, having a haircut, and encounters on the local park bench. A lyrical afterword describes the journey home to Yorkshire from King’s Cross station via fish and chips on Quebec Street, past childhood landmarks of Leeds, through Coniston Cold, over the infant River Aire, and on.

Smut: Two Unseemly Stories

The Shielding of Mrs Forbes

Graham Forbes is a disappointment to his mother, who thinks that if he must have a wife, he should have done better. Though her own husband isn’t all that satisfactory either. Still, this is Alan Bennett, so what is happening in the bedroom (and in lots of other places too) is altogether more startling, perhaps shocking, and ultimately more true to people’s predilections.

The Greening of Mrs Donaldson

Mrs Donaldson is a conventional middle-class woman beached on the shores of widowhood after a marriage that had been much like many others: happy to begin with, then satisfactory and finally dull. But when she decides to take in two lodgers, her mundane life becomes much more stimulating . . .

The Lady in the Van

Adapted for the screen by the author from his celebrated memoir, Alan Bennett’s The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.

The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.

Two Besides: A Pair of Talking Heads

‘Given the opportunity to revisit the characters from Talking Heads I’ve added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, they’re in good company, and at least they’ve made it into print.’

Alan Bennett’s twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life.

The two new Talking Heads were recorded for the BBC during the exceptional circumstances of coronavirus lockdown in the spring of 2020, directed by Nicholas Hytner and performed by Sarah Lancashire and Monica Dolan.