1966

1966

Last 1 in stock
ISBN
9780571277636
Published
28/07/2016
9780571277636
Format
Paperback
Price
£12.99
Paperback
672

About the Book

The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics -- often fueled by perception-enhancing substances and literature -- the 'Sixties', as we have come to know them, hit their Modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity.

Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like The Beatles, The Byrds, Velvet Underground, The Who and The Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.

The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics -- often fueled by perception-enhancing substances and literature -- the 'Sixties', as we have come to know them, hit their Modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like The Beatles, The Byrds, Velvet Underground, The Who and The Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.
  • Jon Savage

    Jon Savage is the author of England's Dreaming: Sex pistols and Punk Rock and Teenage: The Creation of Youth, 1875 - 1945. He has written sleevesnotes for Wire, St. Etienne and the Pet Shop Boys, among others, and his compilations include: Meridian 1970 (Heavenly/EMI 2005); Queer Noises: From the Closest to the Charts 1961 - 1976 (Trikont 2006); and Dreams Come True: Classic Electro 1982-87 (Domino 2008).

“[A] sprawling tour de force about the pop music of 1966 and the seismic events in the world that helped shape it ... vast in detail, breathtaking in scope and ambition.”
- Richard Whitehead, The Times
“A marvel of historical reconstruction and pop insight.”
- Ian Thomson, Observer