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York Realist, The

York Realist, The

Last 3 in stock
ISBN
9780571347858
Published
15/02/2018
9780571347858
Format
Paperback
Price
£9.99
Paperback
160

About the Book

Early 1960s, Yorkshire. Farm labourer George is cast in an amateur staging of the York Mystery Plays. His world is shaken when he falls for metropolitan assistant director John and the two men embark on a clandestine affair.

Peter Gill's influential play is not only a finely drawn love story; it is also a touching reflection on the rival forces of family, class, and the origins and ownership of art.

The York Realist was premiered by the English Touring Theatre at The Lowry, Salford Quays in November 2001; it moved to the Bristol Old Vic that same year and, in 2002, to the Royal Court Theatre, London. The play was revived by the Donmar Warehouse, London, in February 2018.

Winner of the London Critics' Circle Award for Best New Play.

'As a love story, The York Realist is riveting and heart-rendering... Gill is always terrifically perceptive about male tenderness. The personal and political are subtly united in a study of English masculinity, class and culture. Such outstanding work.' Independent on Sunday

'Sensationally fine and poignant.' Evening Standard

'It has the Lawrentian qualities of emotional intelligence, raw honesty and fascination with the intersection of class and sex... It is about the way the English, however hard they try, can never finally escape their origins. But, far from being emotionally conservative, it is adventurous, witty and fresh... The play comes like a rare blast of reality.' Guardian

Early 1960s, Yorkshire. Farm labourer George is cast in an amateur staging of the York Mystery Plays. His world is shaken when he falls for metropolitan assistant director John and the two men embark on a clandestine affair.Peter Gill's influential play is not only a finely drawn love story; it is also a touching reflection on the rival forces of family, class, and the origins and ownership of art.The York Realist was premiered by the English Touring Theatre at The Lowry, Salford Quays in November 2001; it moved to the Bristol Old Vic that same year and, in 2002, to the Royal Court Theatre, London. The play was revived by the Donmar Warehouse, London, in February 2018.Winner of the London Critics' Circle Award for Best New Play.'As a love story, The York Realist is riveting and heart-rendering... Gill is always terrifically perceptive about male tenderness. The personal and political are subtly united in a study of English masculinity, class and culture. Such outstanding work.' Independent on Sunday'Sensationally fine and poignant.' Evening Standard'It has the Lawrentian qualities of emotional intelligence, raw honesty and fascination with the intersection of class and sex... It is about the way the English, however hard they try, can never finally escape their origins. But, far from being emotionally conservative, it is adventurous, witty and fresh... The play comes like a rare blast of reality.' Guardian
  • Peter Gill

    Peter Gill was born in 1939 in Cardiff and started his professional career as an actor. A director as well as a writer, he has directed over a hundred productions in the UK, Europe and North America. At the Royal Court Theatre in the sixties, he was responsible for introducing D. H. Lawrence's plays to the theatre. The founding director of Riverside Studios and the Royal National Theatre Studio, Peter Gill lives in London. His plays include The Sleepers Den (Royal Court, London, 1965), Over Gardens Out (Royal Court, London, 1968), Small Change (Royal Court, London, 1976), Kick for Touch (National Theatre, London, 1983), Cardiff East (National Theatre, London, 1997), Certain Young Men (Almeida Theatre, 1999), The York Realist (English Touring Theatre, 2001), Original Sin (Sheffield Crucible, 2002), Another Door Closed (Theatre Royal, Bath, 2009) and A Provincial Life (National Theatre of Wales, Sherman Cymru, Cardiff, 2011).

“Tender, heartbreaking play... a piece that quietly sounds the depths of social and cultural divisions.”
- Financial Times
“This is a revelation...so beautifully understated and emotionally overpowering... a modern classic.”
- Telegraph

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