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Winter Hill

Winter Hill

Last 1 in stock
ISBN
9780571340187
Published
18/05/2017
9780571340187
Format
Paperback
Price
£9.99
Paperback
80

About the Book

Heroism is danger and risk, and frankly, until now, it’s been male.

One evening, a group of women gather in a half-built structure on a moorland hill. Is it a chance to have a drink with friends? Is it a book club discussing famous heroines? Or is it a revolution?

Set in the near future, Winter Hill centres on a eight women as they deal with the sale of local land to developers of a luxurious skyscraper hotel.

Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker’s Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.

Heroism is danger and risk, and frankly, until now, it’s been male.One evening, a group of women gather in a half-built structure on a moorland hill. Is it a chance to have a drink with friends? Is it a book club discussing famous heroines? Or is it a revolution? Set in the near future, Winter Hill centres on a eight women as they deal with the sale of local land to developers of a luxurious skyscraper hotel.Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker’s Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
  • Timberlake Wertenbaker

    Timberlake Wertenbaker's plays include New Anatomies (ICA, London, 1982), Abel's Sister (Royal Court Theatre Upstairs, 1984), The Grace of Mary Traverse (Royal Court), which won the Plays and Players Most Promising Playwright Award in 1985, Our Country's Good (Royal Court and Broadway), winner of the Laurence Olivier Play of the Year Award in 1988 and the New York Drama Critics' Circle Award for Best New Foreign Play in 1991, The Love of the Nightingale (RSC's Other Place), which won the 1989 Eileen Anderson Central TV Drama Award, Three Birds Alighting on a Field (Royal Court), which won the Susan Smith Blackburn Award, Writers' Guild Award and London Critics' Circle Award in 1992, The Break of Day (Out of Joint production, Royal Court and tour, 1995), After Darwin (Hampstead Theatre, 1998), The Ash Girl (Birmingham Rep, 2000), Credible Witness (Royal Court, 2001), Galileo's Daughter (Theatre Royal, Bath, 2004), Arden City (NT Connections, 2008) and The Line (Arcola Theatre, 2009). She has written the screenplay of The Children, based on the novel by Edith Wharton, and a BBC2 film entitled Do Not Disturb. Translations and adaptations include Marivaux's La Dispute, Jean Anouilh's Leocadia, Maurice Maeterlinck's Pelleas and Melisande for BBC Radio, Ariane Mnouchkine's Mephisto, adapted for the RSC in 1986, Sophocles's The Theban Plays (RSC, 1991), Euripides' Hecuba (ACT, San Francisco, 1995; BBC Radio 3, 2001) and Hippolytus (Riverside Studios, 2009), Eduardo de Filippo's Filumena (Peter Hall Company at the Piccadilly Theatre, 1998), Pirandello's Come tu mi vuoi, Gabriela Preissova's Jenufa (Arcola Theatre, 2008) and Racine's Brittanicus (Wilton's Music Hall, 2011).

“Timberlake Wertenbaker's insightful and challenging play sheds new light on the changing power of collective action.”
- The Stage
“‘Intelligent, incisive and witty… this is a major play.’ Sunday Express”
- Sunday Express

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