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A Woman Scorn'd

A Woman Scorn'd

ISBN
9780571251926
Published
18/06/2009
9780571251926
Format
Paperback
Price
£20.00
Paperback
312

About the Book

Dido and Aeneas has been one of the most compelling and durable of the great classical myths. The material the story offers has led artists, authors and musicians throughout the centuries to appropriate - and misappropriate - the story for both artistic and political ends.

Ten distinguished contributors from the fields of Fine Art, History, English Literature, Classics and Music examine the myth itself and the way in which it has been re-interpreted by later authors. The volume opens with a consideration of the theatrical aspects of Book IV of Virgil's Aeneid, the character of Dido and the appearances of Mercury, while later interpretations discussed include the way the image of the Queen has been used in art, a play by Marlowe, operas by Cavalli and Purcell, and seventeenth-century English satire.

Michael Burden - the Editor of this stimulating volume - was Lecturer in Music at New College, Oxford, from 1989, and since1995 has been Fellow in Opera Studies at New College. His research interests are centred on seventeenth- and eighteenth-century music, particularly English opera.

Dido and Aeneas has been one of the most compelling and durable of the great classical myths. The material the story offers has led artists, authors and musicians throughout the centuries to appropriate - and misappropriate - the story for both artistic and political ends. Ten distinguished contributors from the fields of Fine Art, History, English Literature, Classics and Music examine the myth itself and the way in which it has been re-interpreted by later authors. The volume opens with a consideration of the theatrical aspects of Book IV of Virgil's Aeneid, the character of Dido and the appearances of Mercury, while later interpretations discussed include the way the image of the Queen has been used in art, a play by Marlowe, operas by Cavalli and Purcell, and seventeenth-century English satire.Michael Burden - the Editor of this stimulating volume - was Lecturer in Music at New College, Oxford, from 1989, and since1995 has been Fellow in Opera Studies at New College. His research interests are centred on seventeenth- and eighteenth-century music, particularly English opera.
  • Michael Burden

    Michael Burden was Lecturer in Music at New College, Oxford, from 1989, and since1995 has been Fellow in Opera Studies at New College. He is also Dean of New College, and director of New Chamber Opera. His research interests are centred on seventeenth- and eighteenth-century music, particularly English opera, twentieth-century music theatre.

Books by this Author

Purcell Remembered

Purcell Remembered

Michael Burden

The Purcell Companion

The Purcell Companion

Michael Burden