The Faber Pocket Guide to Bach

The Faber Pocket Guide to Bach

Last 5 in stock
ISBN
9780571233274
Published
17/03/2011
9780571233274
Format
Paperback
Price
£9.99
Paperback
512

About the Book

The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries.

This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life.

Among the features of this easy-to-use book:
The Bach Top Ten
Bach: The music work by work
Performing Bach today
Bach: The life year by year
What people said about Bach

The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries.This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life.Among the features of this easy-to-use book:The Bach Top TenBach: The music work by workPerforming Bach today Bach: The life year by yearWhat people said about Bach
  • Sir Nicholas Kenyon

    Nicholas Kenyon has been Managing Director of the Barbican Centre since 2007. He was Director of the BBC Proms from 1996 to 2007, and Controller, BBC Radio 3, from 1992 to 1998. He read History at Balliol College, Oxford, and his first post was with the English Bach Festival 1973-6. He was a music critic for The New Yorker, The Times, and the Observer, and has written the history of the BBC Symphony Orchestra, the biography of Simon Rattle, edited the influential volume Authenticity and Early Music, and co-edited The Proms: A New History. He is a member of the boards of English National Opera and Sage Gateshead, a Trustee of Dartington Hall and a member of Arts Council England.

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