The End of the Poem

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ISBN 9780571227402 Format N/A
9780571227402
Paperback
Published N/A Length N/A

About Book

The End of the Poem contains the fifteen lectures delivered by Paul Muldoon during his tenure as Oxford Professor of Poetry, from 1999 to 2004. Rather than individual and discreet performances, these lectures form a dazzling set of variations around the sustained theme of 'the end of the poem'.

Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems; whether a poem's line-endings are forms of closure (and where this might leave the poem in prose); whether the poem is completed only with the reader's act of understanding; whether there is an 'end' in 'gender', and if poems have political ends; whether a poem may be completed - as opposed to undone - by the act of translation from one language to another; whether revision brings a poem nearer to its ideal ending (when does a poet know when a poem has come to an end?); finally, what is the right true end of poetry, and is the end of the poem the beginning of criticism, including an Arnoldian 'criticism of life'.

Each lecture focuses upon an individual poem, with examples mostly drawn from twentieth century poets such as Yeats, Frost, Elizabeth Bishop, Stevie Smith, Lowell, Marianne Moore - with a notable emphasis on European poets such as Pessoa, Tsvetayeva and Montale.

The End of the Poem contains the fifteen lectures delivered by Paul Muldoon during his tenure as Oxford Professor of Poetry, from 1999 to 2004. Rather than individual and discreet performances, these lectures form a dazzling set of variations around the sustained theme of 'the end of the poem'. Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems; whether a poem's line-endings are forms of closure (and where this might leave the poem in prose); whether the poem is completed only with the reader's act of understanding; whether there is an 'end' in 'gender', and if poems have political ends; whether a poem may be completed - as opposed to undone - by the act of translation from one language to another; whether revision brings a poem nearer to its ideal ending (when does a poet know when a poem has come to an end?); finally, what is the right true end of poetry, and is the end of the poem the beginning of criticism, including an Arnoldian 'criticism of life'.Each lecture focuses upon an individual poem, with examples mostly drawn from twentieth century poets such as Yeats, Frost, Elizabeth Bishop, Stevie Smith, Lowell, Marianne Moore - with a notable emphasis on European poets such as Pessoa, Tsvetayeva and Montale.
  • About Paul Muldoon

    Paul Muldoon was born in County Armagh in 1951. He read English at Queen's University, Belfast, and published his first collection of poems, New Weather, in 1973. He is the author of ten books of poetry, including Moy Sand and Gravel (2002), for which he received the Pulitzer Prize for Poetry, and Horse Latitudes (2006). Since 1987 he has lived in the United States, where he is the Howard G. B. Clark Professor in the Humanities at Princeton University. From 1999 to 2004 he was Professor of Poetry at Oxford University. A Fellow of the Royal Society of Literature, Paul Muldoon was given an American Academy of Arts and Letters award in 1996. Other recent awards include the 1994 T. S. Eliot Prize, the 1997 Irish Times Poetry Prize, and the 2003 Griffin Prize.

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