Faith, Hope and Charity

Ödön von Horváth
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ISBN 9780571141067 Format Paperback
Published 20/11/1989 Length 64 pages

About Book

Set in the socially and economically oppressed Vienna of the early thirties, this play is the story of a young girl's struggle to survive in the city, a victim of forces she does not comprehend. As the play opens, she is trying to sell her body to an anatomical institute.
  • About Ödön von Horváth

    Ödön von Horváth (1901-1938) was born in Fiume, then part of the Austro-Hungarian Empire, of an aristocratic Hungarian-speaking family. His plays include: Italienische Nacht (Italian Night) 1931, Geschichten aus dem Wiener Wald (Tales from the Vienna Woods) 1931, Kasimir und Karoline (Casimir and Caroline) 1932, Figaro Lässt sich Schieden (Figaro Gets a Divorce) 1937, Don Juan Kommt aus dem Krieg (Don Juan Comes Back from the War), produced 1952. Horváth's plays were banned when the Nazis came to power, then neglected in Germany until the 1950s.

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  • Translated By: Christopher Hampton

    Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother? at the age of eighteen. Since then, his plays have included The PhilanthropistSavagesTales from HollywoodLes Liaisons DangereusesWhite Chameleon, The Talking Cure and Appomattox. He has translated plays by Ibsen, Molière, von Horváth, Chekhov, Florian Zeller (including The Father), Daniel Kehlman and Yasmina Reza (including Art and Life x 3). Musicals include Sunset Boulevard and Stephen Ward, both with Andrew Lloyd Webber and Don Black. His television work includes adaptations of The History Man and Hotel du Lac. His screenplays include The Honorary ConsulThe Good Father, Dangerous Liaisons, Mary Reilly, Total EclipseThe Quiet American, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed, and A Dangerous Method, based on his play The Talking Cure. Appomattox was first presented on the McGuire Proscenium Stage of the Guthrie Theater, Minneapolis, USA, in September 2012 as the centrepiece of a major retrospective of his plays and films. It was subsequently turned into an opera by Philip Glass and premiered at the Kennedy Center, Washington in November 2014.

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