The North Ship, Philip Larkin's earliest volume of verse, was first published in August 1945 and reissued in 1966 by Faber. The introduction, by Larkin himself, explains the circumstances of its publication and the influences which shaped its content.
This is the first thing
I have understood:
Time is the echo of an axe
Within a wood.
Larkin's final collection of poems shows, as does all his best work, his ability to adapt contemporary speech rhythms and everyday vocabulary to subtle metrical patterns and poetic forms. Many of the poems in the collection, which includes some of his best-known pieces ('The Old Fools', 'This Be the Verse', 'The Explosion', and the title poem) show the preoccupation with death and transience that is so typical of the poet.
Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
from 'High Windows'
When The Orators was originally published in 1932 it was described by Poetry Review as 'something as important as the appearance of Mr Eliot's poems fifteen years ago'. Auden's second book, it confirmed the author's early reputation, built by Poems (1930),as a poet of bravura technique and disturbing insight, and found him exploring both his own complex motives and a society ill-at-ease in the years between the two world wars: 'What do you think about England, this country of ours where nobody is well?'
This edition follows the text of the 1934 second edition, and reflects the revisions made soon after the original publication.
'I have no doubt that it is the most valuable contribution to English poetry since The Waste Land.' John Hayward, The Criterion
Paul Muldoon's new book, his twelfth collection of poems, is wide-ranging in its subject matter yet is everywhere concerned with watchfulness. Heedful, hard won, head-turning, heartfelt, these poems attempt to bring scrutiny to bear on everything, including scrutiny itself.
One Thousand Things Worth Knowing confirms Nick Laird's assessment, in the New York Review of Books, that Paul Muldoon is 'the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.'
'What will survive of us is love.'
In this new anthology poets from across the ages lead us on a journey of love in its many forms. From Shakespeare to Rossetti, Keats to Auden, Byron to Browning an beyond, as well as a host of contemporary voices including Wendy Cope, Simon Armitage and Carol Ann Duffy, this new gathering of timeless love poems speaks to the heart about this most universal of themes.
Whether in marriage or heartbreak, friendship or infatuation, whether in pursuit of the unattainable ideal or else settling down together for life, whether in love or out of it, you will find poems here to touch the heart. A vital assembly of our most treasured and enduring love poems.
The perfect gift for children aged 8+, this stunning classic collection of poetry will delight a new generation of readers of the Faber Children's Classics list.
Peacock Pie contains the finest of Walter de la Mare's poems for children, accompanied by exquisite original illustrations from Edward Ardizzone. This beautiful new edition of a classic anthology is an essential part of any child's bookshelf.
Schubert's Winterreise is at the same time one of the most powerful and one of the most enigmatic masterpieces in Western culture. In his new book, Schubert's Winter Journey: Anatomy of an Obsession, Ian Bostridge - one of the work's finest interpreters - focusses on the context, resonance and personal significance of a work which is possibly the greatest landmark in the history of Lieder. Using each of the 24 songs as a starting point, the book brings the work and its world alive for connoisseurs and new listeners alike.
The letters between Eliot and his associates, family and friends - his correspondents range from the Archbishop of York and the American philosopher Paul Elmer More to the writers Virginia Woolf, Herbert Read and Ralph Hodgson - serve to illuminate the ways in which his Anglo-Catholic convictions could, at times, prove a self-chastising and even alienating force. 'Anyone who has been moving among intellectual circles and comes to the Church, may experience an odd and rather exhilarating feeling of isolation,' he remarks. Notwithstanding, he becomes fully involved in doctrinal controversy: he espouses the Church as an arena of discipline and order.
Eliot's relationship with his wife, Vivien, continues to be turbulent, and at times desperate, as her mental health deteriorates and the communication between husband and wife threatens, at the coming end of the year, to break down completely. At the close of this volume Eliot will accept a visiting professorship at Harvard University, which will take him away from England and Vivien for the academic year 1932-33.
Once upon a time, there was a rich merchant who had three daughters. The girls were just as clever as they were bella and none more so than the youngest, whose name was Beauty.
Disappear to faraway lands of wicked witches, evil monsters and brave heroines in Poet Laureate Carol Ann Duffy's stunning collection of fairy tales. Including her beautiful and haunting retellings of the Grimm classics Hansel and Gretel, Snow White and the Pied Piper, as well as other tales from around the world, and new stories of her own, this book will make you think again about once upon a time ...
This stellar edition of Carol Ann Duffy's poems brings together work from her four award-winning collections for children, and sprinkles in a generous helping of new poems to match. From her dazzlingly debut Meeting Midnight through to her newest, brightest poems, Carol Ann Duffy's writing for younger readers has always bubbled with wit and humour, intelligence and affection, and introduced us to many strange and wonderful characters along the way. Among the enchanting voices to be heard are those of the Loch Ness Monster's husband, the oldest girl in the world and a herd of cows on a shopping trip to Manchester.
'In the world of British poetry, Carol Ann Duffy is a superstar.' (Guardian).
There was an old man on the Border,Who lived in the utmost disorder; He danced with the cat, and made tea in his hat, Which vexed all the folks on the Border.
Enjoy Edward Lear's hilarious, bizarre and delightfully bonkers limericks - published on their own for the first time. As found in the collected works, The Complete Nonsense of Edward Lear, which has been in print since 1947 and has sold tens of thousands of copies. The nonsense works, of which the limericks were a part, were first published in the mid-1800s.
Cats! Some are sane, and some are mad.
Some are good, and some are bad ...
The original Old Possum's illustrations have been lovingly restored and are showcased in this beautiful new hardback edition, perfect for children and Eliot aficionados alike. These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and grown-ups. The collection inspired the musical Cats!, and features Macavity, Mr Mistofelees and Growltiger!
A cherished part of his oeuvre, the 'Ariel Poems' of T. S. Eliot were originally commissioned for a pamphlet series of the same name that first ran between 1927 and 1931. ('Nobody else seemed to want the title afterward,' said Eliot of the series, 'so I kept it for myself.') That pamphlet series inventively paired an unpublished poem by a leading writer of the day with new artwork from an eminent artist. Thomas Hardy, Siegfried Sassoon, Barnett Friedman and John Nash were among the contributors to the first set, which broadly carried a Christmas theme and which sold for one shilling. The publisher's hope was that the pamphlets might double-up as greeting cards, and Eliot himself sent them as festive gifts to the writers on Faber's poetry list.
This handsome new publication brings together, for the first time in a single edition, the six poems that T. S. Eliot wrote for the series, and in so doing restores them to the company of the artworks that originally partnered them.
New Selected Poems 1988-2013 provides an unrivalled account of a period of work that was crowned by the Nobel Prize in Literature in 1995. Together with its earlier, sibling volume, it completes the arc of a remarkable career.
Shortly before his death in 2013, Seamus Heaney discussed with his publisher the prospect of a companion volume to his landmark New Selected Poems 1966-1987 aimed at presenting the second half of his career, 'from Seeing Things onwards', as he foresaw it. Although he was unable to complete a selection, he left behind selections that have been followed here.
New Selected Poems 1988-2013 reprints the author's chosen poems from his later years, beginning with his ground-breaking volume Seeing Things (1991), his two Whitbread Books of the Year, The Spirit Level (1996) and Beowulf (1999), and his multi-nominated, prize-winning volumes, Electric Light (2001), District and Circle (2006) and Human Chain (2010). The edition concludes with two posthumously published works.
New Selected Poems 1966-1987 is the author's own selection from the first half of his extraordinary career. From the outset, Seamus Heaney's writing was 'mature and certain in its touch', as Austin Clarke conferred in the Irish Times, throughout a run of epoch-making volumes in the 1960s and 70s: Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972) and North (1975). The bravura pieces of Field Work (1979) and Station Island (1984) that followed culminated in the Whitbread Prize for Poetry with The Haw Lantern (1987).
Since its original publication in 1990, New Selected Poems 1966-1987 has become a seminal edition, containing many of Seamus Heaney's most cherished and studied poems, 'Digging', 'Mid-Term Break', 'The Tollund Man' and 'Casualty' among them. Together with its later, sibling volume, New Selected Poems 1988-2013, it opens the story on Seamus Heaney's calling as a poet.
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